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- Published on: 1656
- Binding: Hardcover
Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful.
By C. Grey
Chris Kraus is my new hero. I was so blown away by I Love Dick that I read all her other stuff straight after, and it's all fantastic. If you are interested in a book with a totally honest, original, arty, droll, contemporary voice, you have to read this. But don't go looking for plot; there is one, but it's of secondary importance. Just amazing.
3 of 3 people found the following review helpful.
By AruAxe
I really want to like this book but I don't understand it and therefore I don't like it. I picked it up as it was celebrated as a great feminist work but I can't even get through it. It's one of those plot-less art-come-essay type books that you can only hope to get anything out of if you understand all the references. Which I don't. Perhaps I am too uneducated and uncultured but the constant references to works I have barely heard of let alone read or seen let's me know this is not for me. If you have moved in the same intelligentsia-esque circles as the author you may have better luck than me. I still haven't finished it because it's such a slog and the only reason I'm giving it 2 stars is in the hopes that it is worth reading to somebody and that it hasn't been so highly praised because the reviewers didn't want to admit they didn't get it either.
0 of 0 people found the following review helpful.
By mintymoor
The beginning of the book is particularly dull, with a few back-and-forth dreary letters. The heroine and her husband have started an "imaginary" affair with Dick, someone they meet (or just an imaginery object I wondered?). At some point the infatuation is taken to a physical level by Chris, but this is later in the book.The book takes a scattergun approach to modern life, as the rootless arty well-off couple move around from house to motel, from LA to NewYork and to Paris. The very loose storyline is also littered with many random post-modern references - most of which I found pointless and irrelevant. Sometimes the writing identifies and describes a mood or experience engagingly, in a fleeting way. At times the author will make an insightful point about something e.g. Janis Joplin as a female "death" figure, whose talent is/was never celebrated fully, unlike other male singers who died in similar circumstances. The modernist writer Katherine Mansfield is referred to obliquely - a touch of passion, then so unfairly withdrawn by referring to Virginia Woolf's criticism. But mostly the references are lost in a mire of ambivalence.The "drollness" throughout, as mentioned by another reviewer, occasionally has the quality of hidden and suppressed heartbreak, but mostly displays a shoulder-shrugging acceptance and distance, occasionally accompanied with a pithy remark or joke. At moments in the middle and towards the end of the book you get more glimpses of the Chris's despair or frustration hitherto mostly hidden, but even then she seems to remain at a wry and respectable distance from herself.It was just too hard-going to stay with the book and try and "enjoy" it in one swoop. However, I did keep trying and kept dipping into the book, and there are touches of brilliance of observation here and there that could almost be worth waiting for - but its hard work to sift through the general surf to find them and they often get lost, hidden away in the pointless post-modern juggernaut. So they lose their power almost immediately. I cannot understand why the book is seen as some kind of feminist anthem though. It could almost be compared to a tongue-in-cheek film noir for me, though with the female character more jaded, introspective and slight. If the author had been able to work it all into a coherent whole it could have been a book to treasure. Despite its qualities, overall I found the project hard work and unsatisfying, much like the protagonist's affair. A cult feminist novel, or a cult self-indulgent novel ... with a few caveats I veer to the latter ...
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