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- Published on: 1656
- Binding: Plastic Comb
Customer Reviews
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0 of 0 people found the following review helpful.
By V7+9
This is an excellent book for anyone who would like to learn how toimprovise over standard jazz progressions. I wish it had been aroundwhen I started out.The focus of the book is on how to create melodic lines which outlinethe harmonic progression you are improvising over. If you listen togreat jazz players soloing over standards, this is a very importantpart of what they do. You can very often clearly hear the chordprogression in the melodic line itself. For example, when a playerlike Sonny Rollins plays in a trio setting, he can make the chordchanges clear despite the fact that there is no piano comping in thebackground. The bass and the tenor together are enough for thelistener to hear the changes. Even when great improvisers deliberatelyplay 'outside' the changes, playing dissonant phrases 'against' thechanges, or bluesy lines which are powerful in a melodic sense butvague with respect to the changes, they will return to playharmonically specific lines which do outline the changes. The tensionand relaxation which is created in the interplay between 'inside' and'outside', or between harmonically specific and harmonically vague isa crucial part of what makes the solos that these players improvise sogreat.Many people who come to jazz from other styles of music which usesimpler harmonic progressions find "playing the changes" to be theprimary initial stumbling block to improvising in this idiom. Foranyone in this position, this is the best book I can recommend. Itwill also be very useful to musicians who already play jazz well,either for their own playing or for use in teaching.At the start of the book, Ligon introduces 3 basic patterns which arehighly frequent in jazz and also in other forms of music. Thesepatterns can be found literally and as the basis of countlessvariations in many solos by great players. Ligon shows how these threepatterns can be used to outline a basic ii-V7-I progression in majorand minor and demonstrates various types of embellishing devices whichcan be used with these patterns. He then goes on to show and commenton 257 examples of the use of these patterns in solos by greatplayers, mostly over ii-V7-I progressions. After this, he demonstrateshow these patterns can be used to outline other common chordprogressions as well, beginning with a cycle of chords which can befound literally in tunes such as Autumn Leaves or Fly Me to the Moon,and in variation in countless other tunes. He then goes on toinvestigate other common progressions such as turnarounds, rhythmchanges, blues, and a number of standards. The material is all veryuseful. Anyone who masters the material in this book will be able toapply this material to create interesting and varied solos just basedon these ideas alone. Ligon has also written several other excellentbooks which examine other areas of jazz improvisation. I think that,for those musicians who are trying to learn how to "play the changes",this is an excellent place to start. Ligon's other books offer furthermaterial for later exploration.
1 of 2 people found the following review helpful.
By Chris Snell
I studied at Berklee College of Music (it used to be dubbed - erroneously - "the jazz music school"...it was much more than that, although if you are a 'jazzer' it's one of the best options to consider attending). However well-schooled I may have felt I was in all things jazz as a result of my Berklee training and endless hours of listening and taking one-to-one lessons from well-known jazz artists, this book is one of the best I have encountered in terms of organising the concepts and tools required for improvising effectively. Assuming you know basic music theory (keys, scales, modes, intervals, chord construction etc.), you will be able to assimilate this book. Full of loads of examples from the jazz repertoire of improvised solos on recordings, this book begins with three archetypes to approach the subject of II-V-I progressions, and moves on from there. A highly recommended text! Buy it in conjunction with Bert Ligon's 'Comprehensive Techniques for Jazz Musicians'...that'll sort the lion's share of your practicing regime for a few years! ;-)
0 of 0 people found the following review helpful.
By herman fish
Exellent book fast efficient service Thank you.
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